The Buddhist influence on art of the past 50 years is, like much else in the Buddhist worldview, immeasurable. “Grain of Emptiness: Buddhism-Inspired Contemporary Art,” at the Rubin Museum of Art, wisely doesn’t attempt such a survey. Instead it offers up an eclectic, not-the-usual-suspects group of five artists: Sanford Biggers, Theaster Gates, Atta Kim, Wolfgang Laib and Charmion von Wiegand.
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