Director Gaspar Noé’s 2010 release, Enter the Void, portrays the bardo — the intermediary state between death and re-birth which is described in the Tibetan Book of the Dead (Bardo Thodol). This portrayal follows the death of the film’s protagonist, Oscar, a Canadian living in Japan.
No capsule review can effectively present the contents of the film, which is less about telling a story, and more about describing mental states. The film proceeds through three successive viewpoints: Oscar’s, shown on screen from his eyes, complete with eyeblinks; Oscar’s life prior to that (shown from the same in-head view and from a vantage point just behind his head), and finally a fully disembodied view, as Oscar’s spirit drifts between past, present, and future.
Read the full review at Buddhist Art News
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